Fugard, Kani, Ntshona's The Island: Antigone as South African Drama. By working together to Africanize the narrative content of Sophocles' tragedy as a subversive tribute to Nelson Mandela's endurance of what had then been a nine-year incarceration on Robben Island, the writers defied apartheid laws that prohibited blacks. Athol Fugard Biography Athol Fugard (born 1932) was a South African playwright known for his subtle, poignant descriptions of the racial problems in his country. Athol Fugard was born on June 11, 1932, in Middelburgh, a small village in the Karroo district in South Africa, of an English-speaking father and an Afrikaner mother.

Andrea bocelli melodrama lyrics. From South Africa to the World Author: Albert Wertheim Publisher: Indiana University Press ISBN: 048 Category: Drama Page: 273 View: 4472 'Albert Wertheim's study of Fugard's plays is both extremely insightful and beautifully written—a book that held my attention from beginning to end. It was a pleasure to read!

Wertheim succeeds in communicating the greatness of Fugard as a playwright, actor, and director. He also conveys well what Fugard has learned from other plays and dramatists. Thus, he places Fugard's works not so much in a South African context as in a theatrical context. He also illuminates his interpretations with the help of Fugard's manuscripts, previously available only in South Africa.

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This book is aimed not only at teachers, students, scholars, and performers of Fugard but also at the person who simply loves going to see a Fugard play at the theatre. —Nancy Topping Bazin, Eminent Scholar and Professor Emeritus, Old Dominion University Considered one of the most brilliant, powerful, and theatrically astute of modern dramatists, South African playwright Athol Fugard is best known for The Blood Knot,'MASTER HAROLD'. And the boys, A Lesson from Aloes, and Sizwe Bansi Is Dead. The energy and poignancy of Fugard's work have their origins in the institutionalized racism of his native South Africa, and more recently in the issues facing a new South Africa after apartheid. In The Dramatic Art of Athol Fugard, Albert Wertheim analyzes the form and content of Fugard's dramas, showing that they are more than a dramatic chronicle of South African life and racial problems. Beginning with the specifics of his homeland, Fugard's plays reach out to engage more far-reaching issues of human relationships, race and racism, and the power of art to evoke change. The Dramatic Art of Athol Fugard demonstrates how Fugard's plays enable us to see that what is performed on stage can also be performed in society and in our lives; how, inverting Shakespeare, Athol Fugard makes his stage the world.